Born
in 1979, Henry went to school in and around London, followed by university
in Newcastle. Two months after graduating with a 1st in History he
began a year-long journey through the Middle East in a second-hand
Toyota pick-up truck called Yasmine with another artist, Al
Braithwaite.
At
school Henry and Al had talked – albeit in the slightly dreamy
unrealistic sense of the word – about the idea of travelling
the world as artist-explorers (with patchy beards (see right)). Both
believed in the value of making work in situ and allowing their setting
to interfere as much as possible with their artistic process. The
journey through the Middle East that followed was, more or less, the
first time they’d put this idea to the test.
In
August 2003, a year after they set out, they returned to London having
nearly being killed in Baghdad (Al more than Henry), with a large
body of work in the back of their truck as well as three successful
exhibitions completed. These took place in Tehran, Muscat and Amman.
They sent a proposal for a slightly off-kilter visual account of this
journey to Booth-Clibborn
Editions and a year later Off
Screen was published. A series of international exhibitions
coincided with its release.
Meanwhile
Henry worked on a written account of the journey which was eventually
taken on by
Nicholas Brealey Books; in early 2007 Misadventure
in the Middle East was born.
In
the months that followed, while continuing to make and exhibit art,
yet wanting to understand something more of the country he had grown
up in, Henry set out in search of what he imagined to be England’s
last remaining eccentrics. He wanted to update the term ‘eccentric’
for the 21st century. This quest took him from a cave-like former-sheep
pen on the Isle of Skye inhabited by the Leopard Man, through to discussing
Gulliver’s Travels with Pete Doherty, or flattening a crop-circle
in the dead of night with England’s leading crop-circler. The
resulting book, In Search
of the English Eccentric, will be published by John
Murray in June 2008.
Henry
now roughly divides his time between writing
and art-ing, though
he still doesn’t really know what to say when asked what he
does – if you tell someone you’re ‘a writer and
an artist’ they assume that you’re either crap at one
or both. There doesn’t seem to be an easy way round this. He’s
now working on a new book for John Murray, in between preparing for
his next exhibition.